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Heinrich Wölfflin’s Principles of Art History in Japan:Yomokichi Sawaki and Two Japanese Translations
https://doi.org/10.32150/00007131
https://doi.org/10.32150/00007131b046d5a1-7e97-4263-ad18-19e6374c4f40
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
72-2-b06.pdf (149.8 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2022-04-14 | |||||||
| タイトル | ||||||||
| タイトル | Heinrich Wölfflin’s Principles of Art History in Japan:Yomokichi Sawaki and Two Japanese Translations | |||||||
| 言語 | ||||||||
| 言語 | jpn | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Heinrich Wölfflin | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Principles of Art History | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | reception in Japan | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Yomokichi Sawaki | |||||||
| キーワード | ||||||||
| 主題Scheme | Other | |||||||
| 主題 | Shirakaba-ha | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| ID登録 | ||||||||
| ID登録 | 10.32150/00007131 | |||||||
| ID登録タイプ | JaLC | |||||||
| 著者 |
ICHIJO, Kazuhiko
× ICHIJO, Kazuhiko
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| 著者別名 | ||||||||
| 識別子Scheme | WEKO | |||||||
| 識別子 | 18890 | |||||||
| 姓名 | 一條, 和彦 | |||||||
| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | Heinrich Wölfflin’s book Principles of Art History was published in Germany in 1915. It applied a scientific theory of style to art history, using five pairs of concepts, such as linear versus painterly, which indicates the stylistic development from Renaissance art to Baroque art. It is one of the most influential books on art history. Japanese translations of the Principles are by Kenji Moriya and Tadao Kaizu, published in 1936 and 2000, respectively. In this paper, I first introduce the details of the two Japanese translations and examine their different attitudes. Second, I clarify that Yomokichi Sawaki （1886-1930） significantly influenced the two Japanese translations, and investigate Sawaki’s contact with Wölfflin and his writings. Third, by exploring the early reception of the Principles between 1926 and 1927, I indicate the characteristics of Sawaki’s perception. Finally, by comparing Sawaki’s evaluation of the visual arts and that of the editorial staff of the literary magazine Shirakaba, I elucidate a specific aspect of the reception of the Principles in Japan. For Sawaki, Wölfflin’s Principles was not just a book that constructed theories of stylistic development through basic concepts but one that manifested procedures for analyzing the plastic form in each work of art. |
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| 書誌情報 |
北海道教育大学紀要. 人文科学・社会科学編 巻 72, 号 2, p. 61-72, 発行日 2022-02 |
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| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 13442562 | |||||||
| 書誌レコードID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AA11272030 | |||||||
| 著者版フラグ | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| その他のタイトル | ||||||||
| その他のタイトル | ヴェルフリン『美術史の基礎概念』の日本における受容：澤木四方吉と二つの日本語訳 | |||||||
| 出版者 | ||||||||
| 出版者 | 北海道教育大学 | |||||||
